Attendees float outside their environment and consciousness, smoking opium and building a Xanadu pleasure-dome near the desert stream of Wadi Nahabir. Suddenly: a massive boom. Sirens. Cracks. Pops. Hisses. And screeches. A universe is broken and remade by the warfare that nurtured it into being.

Absolutely fantastic, heartbreaking, infuriating writing on the legacy of Israeli genocides, Palestinian resistance, raves, and EDM.

Music scenes often develop through the same dynamics of resource enclosure and commercial exchange that those who live through them typically ignore. For instance, it would be dishonest to speak of Chicago house music without some understanding of land theft, racial segregation, environmental neglect, and wealth inequality in the North American Great Plains. The same is true of Israeli rave and EDM. Culture never develops in isolation, and electronic music is a reflection of the political systems—in this case, colonization—that allows it to thrive. It is through that system, especially its security and policing guarantees, that land is stolen, reallocated, remade, and finally positioned to force permanent exile on its refugees living nearby.

I don't even know what more to say. If you're interested in the modern rave scene I think this has to be required reading.

Israeli electronica launders the reality of mass killing, managing the psyches of those whose lives are built through the violence of a racist system. It will be remembered for its fascistic utility like Wagnerian opera and Beethoven symphonies in Nazi Germany, and those who resist it will be remembered for their bravery and steadfast opposition to injustice. When the guns fall silent, and Zionist leaders like Netanyahu and Ben-Gvir are brought before a new version of the Nuremberg Trials, there must be a parallel discussion about Israeli raving and the roles it has played in the bloodshed.

“Since the beginning of the modern era, Black mobility has always been contained and policed,” Saucier says. “There is no one definitive form of segregation that has led to excluding black people from cycling—the whole problem is overdetermined by a host of historical and contemporary practices,” he adds. “The bike, and cycling in general, is really a microcosm of American society and global society in terms of access to things.”

This assistant provides the most important benefits of LLM assistants without the associated environmental costs, privacy risks, and economic brinksmanship.

This is my claim: we, as a civilization, forgot how to center things.

Lovely blogpost/rant about centering in the modern UI landscape.

Devolver said the unpredictable nature of indie publishing is not "readily compatible" with the reality of semi-annual public reporting, which places an emphasis on "predictable, sequential growth."

Good on Devolver for this one.

Equating wealth, especially generational wealth, with virtue and ability is a deeply American pathology. This country loves to believe that people get what they deserve, despite the abundant evidence to the contrary. Nowhere is this more obviously untrue than with our gentry class.

Good modern American class analysis.

The main thing I'd want to communicate is that the places where these signs go up are uniformly miserable. It sucks to be a person on foot in a place where the state has to warn you that it's too dangerous to cross a regular city street. These streets are terrible, loud, dirty, and they smell bad. A crowded urban street with a "no pedestrian crossing" sign is a place created by infrastructural and institutional failure and it sucks that we have any of them in these busy neighborhoods.